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− | BBC | + | {{Infobox person |
+ | | name = Adam Curtis | ||
+ | | image = Adam_curtis.jpg | ||
+ | | image_size = 200px | ||
+ | | birth_date = 1955 | ||
+ | | alt = Adam Curtis | ||
+ | | occupation = Film Maker | ||
+ | | known_for = The BBC's most interesting documentaries | ||
+ | | website = http://www.bbc.co.uk/blogs/adamcurtis | ||
+ | | wikipedia = http://en.wikipedia.org/wiki/Adam_Curtis | ||
+ | | description = How did this guy get to work for the BBC, and how does he keep his job? Together with [[John Pilger]], he has been called a 'token leftie'<ref>http://holdupnow.com/an-interview-with-michael-chanan/</ref> so the BBC has a counter example to the claim that they only ever produce corporate friendly junk? One clue is provided by fellow film-maker, [[Scott Noble]]: | ||
+ | {{Quote|Curtis is an extremely talented filmmaker with an immense repository of archival footage at his disposal (some of which I utilized in [[Psywar]]), and he puts out a great product. But I also find that he tends to exaggerate the importance of particular individuals, groups and fanciful ideas in lieu of basic class analysis; he also appears to self-censor, often at critical junctures. I don’t recall seeing the slightest hint of skepticism about the official story of {{Sep11}} in [[The Power of Nightmares]].|Scott Noble}} | ||
− | {{ | + | He has made some amazing documentaries, and they are public domain on [http://www.archive.org/search.php?query=subject%3A%22Adam+Curtis%22 archive.org], |
+ | many of which have been {{adapted}}: | ||
+ | * Bitter Lake (2015) | ||
+ | * Everything is Going According to Plan (2013) | ||
+ | * Every Day Is Like Sunday (2011) | ||
+ | * [[All Watched Over By Machines Of Loving Grace]] (2011) | ||
+ | *# Love and Power | ||
+ | *# The Use and Abuse of Vegetational Concepts [[555]] | ||
+ | *# The Monkey In The Machine and the Machine in the Monkey | ||
+ | * [http://en.wikipedia.org/wiki/It_Felt_Like_A_Kiss It Felt Like A Kiss] (2009) | ||
+ | * [http://www.youtube.com/watch?v=O9FaIyc4vpU The Rise and Fall of The TV Journalist] (2007) | ||
+ | * [[The Trap]] (2007) | ||
+ | *# Fuck you, Buddy [[370]] | ||
+ | *# The Lonely Robot [[371]] | ||
+ | *# We Will Force You To Be Free [[372]] | ||
+ | * [[The Power of Nightmares]] (2004) | ||
+ | *# Baby It's Cold Outside [[235]] | ||
+ | *# The Phantom Victory [[236]] | ||
+ | *# The Shadows in the Cave [[237]] | ||
+ | * [[The Century of Self]] (2002) | ||
+ | *# Happiness Machines [[315]] | ||
+ | *# The Engineering of Consent [[316]] | ||
+ | *# There is a Policeman Inside All Our Head: He Must Be Destroyed [[317]] | ||
+ | *# Eight People Sipping Wine in Kettering [[318]] | ||
+ | * [[The Mayfair Set]] (1999) | ||
+ | *# Who Pays Wins | ||
+ | *# Entrepreneur Spelt S.P.I.V. | ||
+ | *# Destroy the Technostructure | ||
+ | *# Twilight of the Dogs | ||
+ | * Modern Times: The Way of All Flesh (1997) | ||
+ | * [[25 Million Pounds]] (1996) [[601]] | ||
+ | * [[The Living Dead]] (1995) | ||
+ | *# On The Desperate Edge of Now [[504]] | ||
+ | *# You Have Used Me as a Fish Long Enough | ||
+ | *# The Attic | ||
+ | * [[Pandora's Box]] (1992) | ||
+ | *# The Engineer's Plot | ||
+ | *# To The Brink of Eternity | ||
+ | *# The League of Gentlemen [[629]] | ||
+ | *# Goodbye Mrs. Ant [[524]] | ||
+ | *# Black Power [[526]] | ||
+ | *# A is For Atom [[548]] | ||
+ | * Inside Story: The Road To Terror (1989) | ||
+ | * 40 Minutes: The Kingdom of Fun (1989) | ||
+ | * An Ocean Apart - Episode One "Hats Off to Mr. Wilson" (1988) | ||
+ | * 40 Minutes: Bombay Hotel (1987) | ||
+ | * The Cost Of Treachery (1984) | ||
+ | * Italians: Mayor of Montemilone (1984) | ||
+ | * The Great British Housing Disaster (1984) | ||
+ | * The Tuesday Documentary: Trumpets and Typewriters (1983) | ||
+ | * Just Another Day: Walton on the Naze (1983) | ||
+ | | seealso = * [http://www.archive.org/search.php?query=creator%3A%22Adam%20Curtis%22 Adam Curtis documentaries at archive.org] | ||
+ | }} | ||
+ | |||
+ | [[category:Social Change]] |
Latest revision as of 11:40, 16 March 2015
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How did this guy get to work for the BBC, and how does he keep his job? Together with John Pilger, he has been called a 'token leftie'<ref>http://holdupnow.com/an-interview-with-michael-chanan/</ref> so the BBC has a counter example to the claim that they only ever produce corporate friendly junk? One clue is provided by fellow film-maker, Scott Noble:
He has made some amazing documentaries, and they are public domain on archive.org, many of which have been adapted on the show:
See Also
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