From UnwelcomeGuests
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How did this guy get to work for the BBC, and how does he keep his job? | How did this guy get to work for the BBC, and how does he keep his job? | ||
| − | Is he the token truth teller that BBC keep | + | Is he the token truth teller that BBC keep in their side so they can |
pull out one counter example to the general rule that their production is | pull out one counter example to the general rule that their production is | ||
corporate friendly junk? | corporate friendly junk? | ||
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** There is a Policeman Inside All Our Head: He Must Be Destroyed [[317]] | ** There is a Policeman Inside All Our Head: He Must Be Destroyed [[317]] | ||
** Eight People Sipping Wine in Kettering [[318]] | ** Eight People Sipping Wine in Kettering [[318]] | ||
| − | * The Mayfair Set (1999) | + | * [[The Mayfair Set]] (1999) |
** Who Pays Wins | ** Who Pays Wins | ||
** Entrepreneur Spelt S.P.I.V. | ** Entrepreneur Spelt S.P.I.V. | ||
Revision as of 08:57, 3 July 2010
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See Also
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How did this guy get to work for the BBC, and how does he keep his job? Is he the token truth teller that BBC keep in their side so they can pull out one counter example to the general rule that their production is corporate friendly junk?
He has made some amazing documentaries, and they are public domain on archive.org, many of which have been category:adapted on the show:
- The Trap (2007)
- The Power of Nightmares (2004)
- The Century of Self (2002)
- The Mayfair Set (1999)
- Who Pays Wins
- Entrepreneur Spelt S.P.I.V.
- Destroy the Technostructure
- Twilight of the Dogs
- 25 Million Pounds (1996)
- The Living Dead (1995)
- On The Desperate Edge of Now 504
- You Have Used Me as a Fish Long Enough
- The Attic